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Da Vinci's 'Last Supper' on the Net in high definition

Da Vinci Last Supper

Milan, October 27, 2007

You yearn to visit Milan to see Leonardo Da Vinci's masterpiece "The Last Supper?"
Now, you have a choice at your finger tips and all you need is an Internet connection.
 
Today, for the very first time, the most famous, most discussed and most controversial work of art of all time, declared a World Heritage work of art and registered at the UNESCO worldwide sites, can be seen by all, in all its details, on the website: www.haltadefinizione.com.

The online visualisation system of the highest definition photograph ever in the world (16 billion pixels) will in fact let viewers enlarge and observe any portion of the painting, giving them a clear view of sections down to as little as one millimetre square.

The project started at the beginning of 2007, as a result of the meeting between the Ministry of Cultural Assets and Activities - Milan Landscape and Architectural Assets Office, De Agostini and HAL9000, a worldwide leader in the high-definition photography sector. This photographic technique has two benefits: on one hand, it is a unique instrument of its kind for "monitoring" the state of the painting and, on the other hand, it allows anyone on the Internet, from any part of the world, to observe all the parts and details of the work. Thanks to this technology, HAL9000 can also create large high-quality fine art prints of The Last Supper which offer an overall and detailed visual perception never possible before.

The photograph of The Last Supper, one of the most delicate and protected works in the world, is the result of many months of work and research, during which specific lighting and photography techniques were developed. The protection of the painting was, right from the start, the main concern of the HAL9000 technicians and the Architectural Assets Office; the photography system designed and implemented by HAL9000 was subject to technical inspection at the Environmental Control and Physics Laboratory at the Central Restoration Institute in Rome, which decided the system was totally suitable in accordance with current standards for the safeguarding of artistic works.

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